Voodoo Festival
Voodoo Festival is finished for another year, thank goodness. It’s always a wonderful thing to hang out with musicians, to hang out with all the WWOZ kids I don’t get to see very often these days (they’re largely diurnal to my decidedly nocturnal), and to spend a few days ankle-deep in sucking mud. Seriously. Once you decide to jump on in, the mud’s a lotta fun.
This weekend I got to cross three bands off my colossal People To See Before I (or They) Expire list: Ween, Gogol Bordello, and George Clinton with Parliament Funkadelic.
As many shows as I’ve attended over the years, I finally – finally! – got my rockshow cherry popped and exploded during Ween’s set, brief as it was. Thanks to the torrential rain we received, the poor sound techs had an amazing 30-45 minutes just trying to get the mics working. Add to that the previous band’s unwillingness to leave the stage, and Ween ended up playing for a measly 45 minutes or so. …But, oh those 45 minutes were amazing. Between their excessive stage-fog, over-the-top lighting, and the lusty wind kickin its heels through City Park, I stood gape-mouthed at the altar of Rock and Roll. It’s the only rock show I’ve attended where I did not yawn once.
Gogol Bordello played every bit as vehemently as I’d hoped they would, although I think perhaps their energy is better suited to enclosed venues. So much seemed to get carried away on the wind. Otherwise, I was surrounded by some truly talented stilt-walkers and their friends, dancin in the mud, twirled and enmeshed by their strands upon strands of spiderwebs. Immediately following Gogol Bordello’s set, the March Fourth Marching Band popped up outta nowhere, just to my left. Ain’t nothin better than being suddenly on the business end of a buncha horns afflicted with the Funky Beat. Lordy.
I only caught about half an hour of George Clinton/P-Funk’s set, which meant I listened to exactly 2 songs in their entirety. David Kunian said something on his show last week about George Clinton being to rock and roll what Sun Ra was to jazz. After finally – finally! – seeing Clinton and P-Funk play live, I now see exactly what Kunian means. And he’s riiiight. I had a previous engagement, it being Halloween and all, so had to leave Voodoo right as P-Funk launched into Maggot Brain. More’s the pity. But, I tell you what, exiting City Park beneath the underlit live oaks in their Spanish Moss finery, in the glow of a nearly full moon, listening to the wafting, fading strains of “Maggot Brain?”…
‘Magical’ doesn’t even begin to describe it.
Awright, kittens, I’ve gotta finish pulling this show together for tonight. If you’re up and about, come on out in the backyard with me around midnight. I’ll have a little picnic and catnip for us, spread out on a blanket under the full moon and the evening’s birdsong.
Until then I’m
Waving and grinning and lovin you with all my ridiculous heart,
~mockingbird~
I <3 Membership Drives
I love having an excuse to tell people how I really feel about supporting the Arts, and that absolutely includes radio…or it should. Well, I mean, I can’t even mention “art with a little a” in respect to commercial radio; that’s like using deity to sell control. But I can, and I do, use ‘art’ (and sometimes ‘Art’) to discuss community radio.
Jamie Dell’Apa made a great point the other night concerning television vs. radio. He reminded us that, while the teevee feeds us imagery, radio feeds our imagination. This is what Art should do. …No, really. Art nourishes and encourages imagination; it opens creative doors for us and shines sunlight on Potential and Possibility.
…Anything else is just plain old Propaganda. Done and done.
Wake up and smell the brainwashing, brothers and sisters. Begin and continue the Good Fight to throw off the oppressive culture of affluenza. Remember, as you have seen after every major and minor disaster in this country, that We Are All In This Together. We are not here to buy things together; we are here to Create Lives together. We are here to intentionally create the communities we want to live in, to look out for each others’ welfare, to foster the Beauty we want to experience, to encourage fulfillment on every front. How beautiful and amazing is that? Y’know? How grand and golden is this opportunity we hold in our hands, this opportunity to turn our backs on what we’re fed and to create what we want, instead?
To me, a large part of creating intentional community involves shoring up a truly solid basis for Food, Beauty, and Sustainability. I believe it is imperative we teach each other how to Love: personally, in our neighborhoods and communities, and in the wonderful world at large. It is important that we take whatever steps we are personally able to help good things grow, and to help others help good things grow, whether libraries or gardens or second-lines on Sundays. How better to teach than by example? Y’know? How better to show, for example, that New Orleans’ musical heritage is truly important than actively working to support our living musicians? By spreading their music as far afield as humanly possible? Gettin the word out for the good work, y’all!
If monetary support makes the most sense to you, by all means join the WWOZ roster in that fashion. Please. But, y’know, if you’re like me, strugglin to pay the rent? Baby, volunteer to help in less immediately tangible ways. If you cook, offer to feed people during the membership drives. Offer to help out at any of the dozens of music festivals WWOZ assists throughout the year. And if you’re too far physically removed to volunteer with WWOZ, find something in your own community that speaks to your heart. Y’know?
As Scott Borne is so fond of saying, “Get in where y’fit in,” and understand that that applies to a freakywide range of opportunities. It might take a little while to find just where you fit, where you feel most effective, so until then, try everything. Try your hands at giving a hand to everything that strikes a heartchord with you. Whatever it is you have to give, it is of value to someone. This isn’t some squooshy self-help bullshit, either. This is the Real Thing, the Real Experience. We are all, down to a molecular level, connected in some fashion, so it stands to reason that our needs and our gifts and our desires and our skills are all connected somehow, too.
Personally, I need music. Need, need, need, need, NEEEED. …Need music. Especially living in the city, where it’s a lot harder to hear the music of the planet, I really require melodic expression of emotion to keep me grounded. My somewhat esoteric set of skills and idiosyncrasies have been poking around the edges of music communities since I was 15 or so, and I have just now, in the year or so I’ve been volunteering with WWOZ, really started to find Where I’m Supposed To Be, and How I Can Be Most Effective. I can’t even begin to tell you how gratifying this is. And, y’know, this new opportunity, this fit with ‘OZ has suddenly clarified all the years I’ve spent poking around, trying to find out where I fit. Because I dabbled here and there, because I tried to give what I could to a buncha different endeavours within the music/food/art communities, I now have an opportunity to give in proportions I never previously imagined.
Y’gotta start somewhere, baby. If WWOZ gives you even an infinitesimal portion of what it has given me and a gajillion others planet-wide, start there. Or start wherever makes sense for you, in your community. Start teaching local kids how to do something you know well: gardening to swimming to making rhythms to painting to building to on and on and on. Take a few minutes to sweep the leaves outta your neighbors’ sidewalk. Offer to pick up extra groceries for the Matriarch of your block. Carve out an extra place at the dinner table for a teacher or an artist or a musician, or hell, just somebody who’s hongry. Build a bicycle for a kid (or a grownup) who maybe couldn’t afford one otherwise. Y’know? Only you know where your superhero skills really lie, so find some way to start utilizing em. Whatever you do, do it with BigBigLove, and everything’s gonna turn out fine. Hell, everything’s probably gonna get a whole lot better.
Thank you, my brothers and sisters, for listening, for reading, for supporting WWOZ with your ears and your hearts, for all the good things you do, here on our beautiful blue planet. Until next time, remember that I love you, with all my ridiculous heart.
See you Monday night, mi gatitas.
~mockingbird~
29 september 2009 show.
A gentleman from Ontario, Ian MacEachern, called me during this morning’s show, and we had a lovely (if brief) conversation about our cats and about Canadian and UStian history and their respective inadequacies. He later sent me an email with a link to his website full of incredibly beautiful original photographs. I mean, really. His Asylum series sent my heart secretly palpitating a stuttering 7/8 rhythm. His appreciation of emotion and light compelled me to further involve myself in each piece, again again again. Just wonderful.
Back to me (cause I’m closing in on passing out): if you wanna read the whole playlist , assuming you haven’t already, do head over to WWOZ’s site to check it out. And then poke around the site and find some cool stuff to do this week. Lord knows we got music goin on.
Thankee Thankee, from the middles of my bones, to every last one of you who took the time to call and email me tonight. You brought me a buncha joy with that. Thanks.
Awright, kittencakes. I love y’like nobody’s business, but I gotsta start thinkin about gettin horizontal. That vertical sleepin’s for the astronauts! Huh!
Waving and grinning and lovin you like mad,
~mockingbird~
b’way
My darlin Blue Bear, my thickfurry B’way, the dearest onliest cat boyfriend I’ve ever loved Just Like That, died of poisoning three mornings ago, oh so unexpectedly. His thickthick fur was the colors of all the finest chocolates. His eyes the cool blue of Autumn sky. His sensuality is/was, in my experience, absolutely unmatched in all the feline world. He was to me what no other human had ever been, will ever be.
…Oh, my baby Blue….
Instead of staring glazey-eyed at his favorite trees for hours and days, I’ve got a show t’do. Dunno if I’ll be talking much tonight, but I will be playing plenty of stuff I used to sing to him, stuff dedicated to him. Kinda like our last date, I guess.
I’m reminded, of course, of all the folks stranded on rooftops during the Federal Flood 2005 who would not, could not leave their animal companions behind. I am reminded of all the barely sentient humans who scoffed at these animal-lovers’ supposed folly…
And I am reminded how lucky we are, those of us who understand the grace of a loving relationship between different species. Every wise being understands that the truly important stuff, the really colossal emotional stuff, the love and grief and joy and desire, will always be sold short by the inadequacies of language. Always always always. Ain’t no way to put that stuff into words because words are just symbols used to represent the thing itself. Y’dig? We can use a bazillion elegant terms to describe the enormity of the ocean (or mountains or rainforests or caverns or insert breathtaking Wonder here), but, when it comes down to it, you just kinda gotta see it for yourself. To start wrapping your mind around how lame language is for communicating life-quaking emotion, understand that y’can’t just see it yourself, you’ve also gotta feel it yourself. You can only communicate that stuff with the eyes and with the skin. With mirrors and heartbeats. Period.
For people who’ve traded in feeling for power, who’ve replaced pain with pomposity, who’ve covered their inability to truly love with a haughtiness that tries to circumscribe love into easily marketable, highly marginalized boxes: until you have been stripped down to the emotional bone, until you have lost everything everything except your life, until you have been carved up and cut apart and made to understand how fundamentally unimportant you are in the greatest, grandest perspective, in the Universal…until you give Job a run for his money…
Until then, baby, just keep your mouth shut. With every dismissal of Love you utter (whatever form that Love takes), you are proving yourself an object of pity. You are showing yourself incapable of Love. You are showing yourself to be Less Than Human.
To be truly human is to cultivate Love. Cultivate compassion. What better examples of Love and Compassion for our egotistical human species than the animals that choose to live with us? To love us? Considering them beneath us degrades us. Loving them unabashedly, without thought or reservation, without qualifications or caveats, is a step toward our species’ evolution.
Okay, all that said…
For darlin B’way, I’m mixing at least an hour’s worth of music, and, specifically, Cat Power’s “Blue“.
My beautiful boyfriend, my sweet soul companion: these 3ams just ain’t right without you. Thank you so much for blessing and bullying and basting me with your Love for so long. I’ve never seen anything like it.
Not nevah.
~mockingbird~
show log, 25 august 2009.
I am consistently amazed at how much more I am able to learn about my own country from sources outside my country. Once again, The Guardian offers up the most forthright article to date on the U.S. healthcare debate by, y’know, going out and interviewing folks who are directly, profoundly affected by the ridiculous squabbling happening on Capitol Hill. These are not isolated cases. This is damned near everyone I know.
We’ll leave that lie for a bit and get on to what we listened to on the radio tonight. Howzat?
Whatever comes, I Love You. F’Real.
~mockingbird~
Artist / Track / Album / notes
Willie Nelson and Wynton Marsalis / That’s All / Two Men With the Blues
Garaj Mahal / The Shadow / Blueberry Cave
The Quintet / Salt Peanuts / Jazz at Massey Hall / Recorded in 1953 in Toronto, this is the only assembly of these incredible musicians: Dizzy Gillespie, Charlie Parker, Bud Powell, Charles Mingus, and Max Roach. I meeeean…are you kidding me?!
The Bad Plus / 1980 World Champion / Prog
Randy Newman / You Can Leave Your Hat On / Randy Newman Songbook, Vol. 1
John Coltrane Quartet / Africa / Africa – Brass
Ravi Coltrane / Epistrophy / Blending Times
Jeff “Tain” Watts / Dancin 4 Chicken / Watts / There’s some language disallowed by the FCC within the first minute of this track. Before you go scandalizin the church ladies, y’know….
Fast ‘n’ Bulbous / Smithsonian Institute Blues / Waxed Oop / 2009
Astral Project / Once Was / Blue Streak
Fahir Atakoglu / Gypsy in Me / Istanbul in Blue
Fareed Haque & The Flat Earth Ensemble / The Chant / Flat Planet
Saco Yasuma / The Fifth Season / Another Rain
Garaj Mahal / Bicycling in Bombay / Blueberry Cave
Fareed Haque & The Flat Earth Ensemble / Bengali Bud / Flat Planet
Tony Allen / Asiko / Black Voices
Dorothy Ashby / Soul Vibrations / Afro-Harping
Bantuous Jazz / Watchi Wara / The Shrine Presents Afrobeat
Hugh Masekela / The Seven Riffs of Africa (Medley) / African Breeze: 80s Masekela
Rodrigo y Gabriela / Foc / Live in Japan / 2008
Jeff “Tain” Watts / Wry Koln / Watts
Hugh Masekela / Child of the Earth / Still Grazing
Stanley Clarke Trio / Take the Coltrane / Jazz in the Garden /2009
show log, 18 august 2009
Between the gaping hole in my head (scheduled to be even more cavernous the week after next) and the ridiculously high-maintenance automobile, uhm, maintenance, I completely forgot to update the blog. So sorry. While the soapbox beckons (with shouting and flaming flares), I just don’t have the time right this second. As soon as I carve out a second, I’ll tear loose my muzzle. Promise. And if this tooth-trouble thing keeps going the way it’s going, the written word may be our only source of communication. If that’s case, Watch Out, brothers and sisters. Verbosity, in some folks, is like a magma flow: always lookin for the Never Enough outlet, makin do with creek channels for what needs a riverbed. Fast, ferocious, undeniable.
Until then, sweet siblings, let’s play a little catch-up on (jeezus) two weeks ago.
I love you.
~mockingbird~
Artist / Track / Album / notes
Cannonball Adderly / Hummin / Country Preacher
Ingrid Lucia / What Is This Thing Called Love? / St. Valentine’s Day Massacre / 2009 / local New Orleans artist
Groovesect / Bad Blood / On the Brim / local New Orleans band
Groovesect / Bass Solo / On the Brim / local New Orleans band
John Coltrane / Saturn / Interstellar Space / This album was performed solely by Coltrane and drummer Rashied Ali, who just passed away this last week. Rest in Music, Mister Ali.
Rob Wagner / Desoparia (They Handed Out $12 Billion Cash in Iraq but Couldn’t Give New Orleans Drinking Water) / Trio
Lincoln Center Jazz Orchestra with Wynton Marsalis / Meditation on Integration / Don’t Be Afraid: The Music of Charles Mingus / Wynton is, of course, of the New Orleans Marsalis family.
Dizzy Gillespie / Toccata / Gillespiana
La Otra / Todo Pa’La Gente / Todo Pa’La Gente / local New Orleans band
Dizzy Gillespie / Ool Ya Koo / Gillespiana
Machito / Wild Jungle / Kenya
John Coltrane (and Rashied Ali) / Leo / Interstellar Space
Claudio Nunez / Free Improvisation II / Barking at the Wrong Tree
John Coltrane / Expression / Expression / Musicians on this album include: John Coltrane, Alice Coltrane, Pharoah Sanders, and Rashied Ali. That’s a hell of a lineup.
Bill Frisell / Procissao / The Intercontinentals
Revolution Void / Mind Mapping / Thread Soul
Bill Frisell / Boubacar / The Intercontinentals
Axial / Tamanquero / AXIAL, Volume 1
El Perez / Rumba Alemana / Por Rumbas
El Perez / Rumba Francesca / Por Rumbas
La Otra / Obatala / Todo Pa’La Gente / local New Orleans band
rashied ali, 1935-2009.
Beyond iguanas and Aztec princesses, there is also the fact that the planet has lost one of its most creative free jazz drummers this week, Rashied Ali. I’ll be playing some of the work he did with Coltrane, as well as the amazing stuff he did with James “Blood” Ulmer, if I can get my hands on it.
Rest in music, Mister Ali.
iguanas and aztec princesses.
This week’s show started fomenting, started fermenting with a rainy day viewing of “Night of the Iguana,” a 1964 John Huston film, based on a Tennessee Williams play, starring Deborah Kerr, Richard Burton, Sue Lyons, and an absolutely mesmerizing Ava Gardner. While the maraca-wielding houseboys puzzled me throughout (what the hell are they s’posed to be doing/representing, exactly?), I love the tumultuous rivers of questionable morality that wend throughout the story. Williams was a master of the wink-fingered poke-in-the-ribs where UStian’s high-minded morals were concerned…bless him.
All this nonsense about so-called morality aside, and on a purely superficial level, the music (including the infernal maraca-boys), the giant iguanas, the views of Mexico’s western coast, and the rampant flora sent me off craving more more more MusicFoodArt from our southern brothers and sisters. My senses have been searching for hand drums and bird calls, for anole lizards rustling bougainvillea’s brilliant floral bracts, for frenetic rhythms that know no stillness, for lazy afternoons when the sun’s unmerciful heat makes physical labor suicidal, for vividly sweet fruits, and for peppers so spicy they make the sun’s heat seem almost kind. In short, I crave music of the torrid climes.
Since we’re listening to Contemporary Jazz (ambiguous as that can be) from midnight to 3 a.m. these Tuesday mornings, I’ve had opportunity to delve into much of the Afro-Cuban jazz that influenced so many UStian jazz musicians. Think Machito playing with Dizzy Gillespie. Think Yma Sumac’s voice mimicking rainforest birds. Think cicadas and katydids, surely an influence on any musician who’s spent time on the back porch during a Southern summer.
I’m not awesome enough (yet) to fill up an entire three hours with this stuff, with that music that tangos elegantly down the outer edges of defined jazz. Howevah. I’ll work in what I can and will, as always, hope you’ll turn me onto your favorite jazz artists from outside UStian audial borders.
See you tomorrow night, pussycat.
Waving and grinning,
~mockingbird~
man, my toof hurts.
Personal tragedy aside, the whole healthcare “debate” happening right now in the States is incredibly funny. Like professional wrestling is funny, except with a bit more at stake.
I’m reading the above article this morning, about how Republicans and Right Wing Insert Label Heres are condemning Britain’s healthcare system for its “socialist” overtones, for accusedly putting a price on human life. In this article,
A $1.2m television advertising campaign bankrolled by the conservative Club for Growth displays images of the union flag and Big Ben while intoning a figure of $22,750. A voiceover says: “In England, government health officials have decided that’s how much six months of life is worth. If a medical treatment costs more, you’re out of luck.”
First of all, that monetary figure is used by Britain’s National Institute for Health and Clinical Excellence (Nice) to determine cost-effectiveness of medications. This isn’t like GM’s 1973 appraisal of human life, their “value analysis of auto fuel-fed, fire-related fatalities,” which figured out we humans are worth a grand $2.40. I mean, even if the US conservative fundamentalists are right about Nice putting a price on human life (and I don’t believe they are), the British figures are at least 898,546% more generous than the US’. Per the usual, there’s too many skeletons rattlin in the States’ empirical closets for us to be accusing anyone of undervaluing life, even the former British Empire.
Secondly, $22, 750 is about twice the money I have ever earned in a year. …Twice. And I’m not workin the fast food chains here, okay? Also realize that these figures are just talkin 6 months’ coverage. Not even a year. Certainly not a lifetime. One half of one year, and that’s just to determine the cost effectiveness of friggin pills. Nevermind the emergency surgery.
As I’m reading the article, I’m soft-tongueing that hole in my molar, nerve sporadically exposed, still gaping and painful a week and a half after the tooth chipped off. No dentist would see me without insurance or fistfuls of cash money, neither of which I posess. The dental university that might have taken me is so overloaded, they cannot accept any new patients until well after the beginning of the school year, meaning: I’m not the only one in this situation. Not by a long shot. And the molar is just the most pressing physical malady of the moment. We’re not even gonna get in to annual checkups, birth control, or physical therapy. And y’know…I actually have a job right now and cannot afford decent treatment. How many others are not so fortunate as I?
For a girl — just one among thousands and thousands of UStians — who has worked an inordinate amount of hours/weeks/years in (oftentimes) physically and mentally oppressive conditions for Not Always Enough to pay her bills (nevermind the nonexistant healthcare) the US Fundamentalists’ accusations seem like an incredibly pompous passle of outright lies. Lies of the same slanderous quality that rich people have always told poor people, that rich folks have always used to keep themselves securely in power.
In my estimation, the Obama administration’s healthcare plan falls several miles short of Just Enough. From everything I’ve read, it’s gonna leave health care pretty difficult for poor folks to attain, but that’s far better than the Impossible to Attain we’ve got going for us now.
Every person deserves food, shelter, access to medical care for themselves and their families.
Can that get any clearer?
show log, 4 august 2009
Artist / Track / Album / Notes
The Other Planets / Novacaine / Holiday for Vacationers (Everything Awesome All the Time / I somehow managed to knock off the back of one of my molars yesterday and am now staring at the business end of a needle fulla novacaine and some stranger peering into my mouth. I’m not too concerned about the needle, but the guy pokin around in my mouth? Ugh. Gives me rigors.
Bobby Hughes Combination / Nhu Golden Era / Nhu Golden Era
Miles Davis / The Little Blue Frog (Alternate Take) / Bitches Brew Sessions/ It’s closing in on the 40th anniversary of the release of Bitches Brew, y’all, and we’re still so bound by so-called “decency” that we can’t really mention the name of the album until the late, late evening. Forty years. Marvel at the molasses-like progression of Good Ol ‘Merican Values.
Bobby Hughes Combination / Magnificent Mr. Morgan / Nhu Golden Era
Esperanza Spalding / Mela / Esperanza
Sun Ra and His Arkestra / On Jupiter / On Jupiter
Ornette Coleman / Spelling the Alphabet / Virgin Beauty
The Other Planets / Living in Harmony with Fuel-Efficient Machinery / Discrete Manipulations
Harry Connick, Jr. / Little Farley / Star Turtle
Astral Project / Dike Finger / Blue Streak
The Bad Plus / Prehensile Dream / Suspicious Activity?
Miles Davis / Lonely Fire / Bitches Brew Sessions
The Other Planets / I Have Oranges and Bananas / Eightballs in Angola / If you get this song, you’ve obviously spent a little time here in New Orleans. Lucky You.
Garage A Trois / Bear No Hair / Outre Mer
Miles Davis / Trevere / Bitches Brew Sessions
The Bad Plus / Silence Is the Question / These Are Vistas
Marco Benevento / Sing It Again / Me Not Me
Hank Mobley / Recado Bossa Nova / Blue Note Trip: Sunset
Rodrigo y Gabriela / Satori / Rodrigo y Gabriela
Dirty Three / Zither Player / Cinder
Lonnie Smith Trio / Traces of Trane (I Bring Love) / Afro Blue
Orgatronics / Bird Gets Dizzy / Moonfruit
Sun Ra / Cosmos / Cosmos
Marco Benevento / Golden / Me Not Me
Stuart Hamm / Dr. Gradus ad Parnassum / Radio Free Albemuth / Check out the notes on this track at WWOZ’s website
Dirty Three / Too Soon, Too Late / Cinder
Sun Ra / Moonship Journey / Cosmos
Ornette Coleman / Unknown Artist / Virgin Beauty
Allen Toussaint / Dear Old Southland / Bright Mississippi
Okay. That’s all I’ve got today.
Thanks for hangin out on the living room floor with me, and
Remember that I love you.
Waving and grinning,
~mockingbird~